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THEME: GREEN

2008.11 depicts an overlapping pair of spectral skulls. It is part of larger series based inspired by the Zheng’s reflections on death. The skulls are shown in profile with their deep, disproportionately large eye sockets facing the to the left. Zheng’s undulating brushwork creates a powerful impression of energy and and motion, complicating subjects’ usual association with mortality. The painting’s monochrome green palette blurs the distinction between the skulls and the background – it is not clear if we are looking at the skulls themselves, or only the ripples in the electrified atmosphere as they fly past us. While their facial outlines are nearly identical, their states of existence appear quite different. In the background, the larger cranium appears static and dark, possibly fading with the passage of time. In contrast, the skull in the foreground is luminous and dynamic; apparently leaving a wake of sparkling, swirling green energy. Is this a portrait of companionship, a progression from past to present, or a contrast of physical and spiritual? The effect is similar to a doubly exposed negative; the two images intimate a photographic progression. This suspension in space and time has made an object of movement itself, leaving its viewers to contemplate the relationship between permanence and transience.

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  • 2008-11
  • Zheng Delong (b. 1976) was born in Chengdu, Sichuan Province. He is stands out among his art academy-educated peers for having no formal training in art. Early interest in the arts, along with encouragement from his father, prompted him to establish his own studio in the '90s, and his output and exhibition schedule have increased steadily since then. Zheng Delong's technical skills rival those of his contemporaries, and he employs them in the depiction of liquified neon skulls, dogs, and other figural subjects. Zheng uses an expressive, swirling mixture of color and form to create chilling portraits of organic energy.

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    ZHENG De Long 郑德龙
$35.00
Do you remember your classroom blackboard? Chen Jiao takes us back to our first years of school: a glimpse into the world of language and letters, equations and charts. With layers of colorful accents, the childlike trees and found paper, she refers to her own childhood in southern China. The grey wash over the board mimics the grey sky of her industrial town; the trees evoke the trails where she discovered new pathways on long walks. The characters on the board remind the students of their post-Cultural Revolution identities as coexisting workers, yet the yellow chart creates a rating system for a spectrum of students. It is the paradox of Chinese education: how do you distinguish yourself when you must also live as one small part to a whole? No matter where you are from, Blackboard – Jintang Middle School, by Chen Jiao touches on the universalism of learning and its ability to shape both a society’s and child’s memories.

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  • Blackboard-Jintang Middle School
  • Chen Jiao (b. 1983) was born in Chengdu, Sichuan province, and attended the Sichuan Fine Arts Institute, graduating from the oil painting department in 2006. After staying on for a Master's degree at the Sichuan Fine Arts Institute, Chen left the country for a residence scholarship at the Künstlerhaus Schloss Balmoral in Germany, followed by an art exchange at the University of Wales Institute in Cardiff. Chen's Chinese and European pedigree has served her well, and she is widely exhibited within China. Her works are often nostalgic, recreating the industrial surroundings of her childhood in ghost-like architectural sketches. Other works are abstracted paintings of natural surroundings, paintings that seem to equally mix the subjects of traditional Chinese landscape with the power of abstract expressionism. To Chen, both approaches are means of exploring the spiritual essence of an object, exploring the mixed significations and emotional registers as they exist in her mind.

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    CHEN Jiao 陈皎
$35.00

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